Showing posts with label Occultism. Show all posts
Showing posts with label Occultism. Show all posts

Wednesday, May 25, 2011

How Hollywood Spreads Disinformation About Secret Societies

During the last years, a new trend appeared in Hollywood: secret societies being at the center of movie intrigues. Some might find this surprising since secret societies are supposed to be…well…secret. Many people in the movie industry are part of those Brotherhoods so what is the reasoning behind this? We’ll look at the myth Hollywood is trying to create by examining “National Treasure” and “Angels and Demons”.
Natl_09_web08
A decade ago, movies about Freemasonry or the Illuminati were rare and far apart (see here a nice list of Masonic references in movies). There has however been a major switch during the last decade. The world wide public has witnessed major blockbuster movies featuring those Brotherhoods at the center of the story. Their exoteric symbols are abundantly displayed and some of their history is even explained. Why are those societies exposing themselves to the average movie goers, who, for the most part aren’t even aware of their existence? Isn’t secrecy an important requisite for the survival of those orders?
I believe an important change is taking place in the communication strategies of these elite societies. The advent of the digital age, where any individual can create and publish content has rendered the secrecy of such organizations impossible. Self-published websites, books, documentaries, DVDs and other medias have exposed many secrets of Masonry and other orders. Information which could only be found in rare and exclusive books is now a Google search away. I have encountered some Masons who were astonished by the level of knowledge possessed by the  ”profane”. Those types of Masonic scholars, who aren’t actually initiated into the Brotherhood, were very rare not too long  ago.
Since the digital switch is irreversible (and completed), occult orders have adapted their strategy to this new context (they’ve probably saw this coming years ago). The strategy is : “If they have to know about us, we’ll tell them what to know“. Through Hollywood and best-selling books, secret societies are being introduced to the average Joe but with one BIG condition: the public is given a distorted, caricatured and romantic portrayal of secret societies. We are introducing in pop culture a mythical lore around secret societies, associating them with fascinating symbols, treasures hunts and exotic adventures. The viewers believe they are actually learning facts about Freemasonry or the Illuminati and they leave the movies with a sense of wonder, fascination and admiration. Those feelings are however based on totally erroneous facts, dubious explanations and fairy tale story telling. After viewing those movies, the viewer has a positive predisposition concerning those orders and will be less inclined to believe and research conspiracies related to them.

National Treasure

national_treasure
This blockbuster adventure movie was produced by Walt Disney Pictures, a brand that guarantees family-friendly entertainment. So parents can bring their kids and enjoy a nice, wholesome, Masonic disinformation session. The movie revolves around a treasure hunt based on clues left by prominent Masons on the Declaration of Independence.
The movie starts with the main character (played by Nicholas Cage) as a little boy, searching for information about his family history. The boy’s grandfather comes in and gives the boy (and the audience) a totally false and distorted story of the Knights Templars and the Freemasons.
Here are some of the claims:
The Knights Templars found under the Temple of Solomon a great treasure which was lost for a thousand years. They’ve brought the treasure back to Europe.
It has been said that the Templars possessed extremely rare religious artifacts. Were they found under the Temple of Solomon? The legend says yes. The movie however describes the treasure as gold coins, statues and such.
The Templars decided to smuggle the treasure into the United States and changed their name to the Freemasons.
This is where everything falls apart. The Templars did not change their name to the Freemasons at the dawn of the American civilization. The Templars have actually disappeared in 1312, which is more than 400 years before the creation of the USA.
“Seemingly untouchable for nearly two centuries, the Templars fell from grace spectacularly after the loss of the Holy Land: in 1307, all Templars in France were arrested on charges of heresy, homosexuality, denial of the cross and devil worship. The order was suppressed by the Pope in 1312, and Jacques de Molay, the last Grand Master, was burnt at the stake as a heretic two years later. ”
- Sean Martin, The Knights Templar
The Freemasons are not an all-American institution, as the movie insinuates. It is a European secret society dating from the Middle-Ages, who  opened lodges in North America to expand its reach. The goal of Masonry is not to “protect a great Templar treasure”, it is an ancient order of builders who incorporated into its rites, over the years, teachings of the Templars, Rosicrucians and the Illuminati.
The Templars was an occult order who had fought during the Crusades at the side of the Church. It is during their stay in the Middle East that they’ve secured occult knowledge from eastern mystics and brought it back to Europe. They’ve became great bankers and Cathedral builders (in which they’ve included occult symbolism). They were known to practice the Kaballah, many forms of magic and the black arts. Their conflicting interests with the Catholic church ultimately lead to their persecution and demise.
The Freemasons can be considered spiritual descendants of the Knights Templar due to their study of esoteric sciences, their building of monuments and their philosophy based on gnostic principles. The link between the Templars and the Masons is being cultivated due to the mythical lore surrounding the Knights. In other words, it’s good publicity.
” In order to insure great popularity for the [Scottish] rite, he [Isaac Long] linked it directly with the Templars by a mysterious legend.”
-Domenico Margiotta 33°, Adriano Lemmi
So the “educational” part of the movie gives in fact a mythical and romantic story of Freemasonry. Some viewers might view this distortion as fact, others will associate everything Masonic to a fairytale. The important thing is that the truth about Freemasonry is concealed behind a veil of mythology.

nt1

Interesting choice of transition between the face of the
grandfather telling the story and the Pyramid of Gizeh.
His eye becomes the All-Seeing Eye of the Great Architect

Esoteric Meaning of the Movie


NationalTreasure1
Masonic Washington Monument – “As Above, So Below”
(warning: major spoilers ahead)
Like all true mythological stories, National Treasure has an exoteric meaning for the ignorant masses and an esoteric meaning for the initiates. If the exoteric story is meant to mislead the public, the esoteric meaning  carries however great truths about occult brotherhoods. Here’s the hidden meaning.
The “ancient treasure” that was jealously guarded by ancient civilizations is in fact occult knowledge, the Mysteries, that could break the shackles of materialism and help their possessor access divinity (Kaballah, alchemy, gnosticism and occult sciences). This treasure disappeared for a thousand years from the Western world, which corresponds to the early Christian period. The movie says that it was eventually discovered by the Knights Templar in Jerusalem, under the Temple Solomon (the Freemasons’ sacred building) and brought it back to Europe. This knowledge then migrated to the USA through secret societies.
The hero of the movie is on a quest for illumination and the riddles he must solve represent the initiations one must pass before accessing higher knowledge. This all-important treasure is symbolically buried under Trinity Church in New York, in a hidden cave which is dark and cavernous. Ben Gates has to light up the torch of illumination to find his way to the hidden knowledge. The torch represents the Luciferian doctrine of American Freemasonry instituted by Albert Pike. In the highest degrees, Lucifer is taught to be the “light bearer”, the god of Good who shows to path to illumination.

nt3
Nicholas Cage with the torch of Lucifer
“Its [high degrees of Scottish Rite] religion is Manichean neo-gnosticism, teaching that the divinity is dual and that Lucifer is the equal of Adonay, with Lucifer, the God of Light and Goodness struggling for humanity against Adonay the God of Darkness and Evil.”
-Domenico Margiotta 33°, Adriano Lemmi
“When the Mason learns that the key to the warrior on the block is the proper application of the dynamo of living power, he has learned the mystery of his craft. The seething energies of Lucifer are in his hands and before he may step onwards and upwards he must prove his ability to properly apply (this) energy.”
- Manly P. Hall, Lost Keys of Freemasonry
Back to the story. Ben Gates, with his Luciferian torch finds the path to illumination and obtains access to an infinite source of knowledge. During the scene where the heroes look around the treasure room, they find very significant items: Scrolls from the Library of Alexandria, Egyptian statues and other artifacts from the Antiquity. All of those objects refer to the occult knowledge that has been communicated through the ages through secret societies.
At the end of the movie, Ben Gates speaks with the FBI inspector and begs him not to send him to jail. Flashing his Masonic ring, the representative of the law says “someone has to go to jail” for the stealing of the Declaration of Independance. The next scene shows the ”bad guys” (the non-Masons) getting arrested, even if they did not actually steal the Declaration. We see here a blatant example of the Masonic oath superceeding the law. The FBI agent willfully ignored the law to help his Masonic brother.

nt2
Masonic ring of FBI inspector
Then end of the movie shows the heroes rich and happy. There’s no esoteric meaning to this, it is just a sappy Disney ending.

Angels and Demons

angels
This movie is based on Dan Brown’s novel which focuses on the Illuminati and its war against the Catholic Church. The hero runs across Rome to save the Vatican from a mega-bomb which was set up by Illuminati agents to blow at midnight. The first page of Dan Brown’s book claims that “the Illuminati was factual”, inciting the readers to take everything written in the book as facts. They should not do so.
In the beginning of the movie, Robert Langdon (played by Tom Hanks) ventures himself into explaining the Illuminati. Here are some of his claims:
“The Illuminati was founded by Galileo Galilei in response to the Church’s refusal of his heliocentric theory”
The Illuminati was officially founded in Upper Bavaria, by Adam Weishaupt on May 1st 1776.  This is more than 130 years after Galilei’s death and not even in the same country. The movie’s association of Galilei with the Illuminati seems like an attempt to associate this brilliant scientist’s name to the conspiratorial secret society.

adam_weishaupt02
“Of all the means I know to lead men, the most effectual is a concealed mystery.” – Adam Weishaupt
“The Illuminati did not become violent before the 17th century.”
It never was violent, its actions were based on infiltration and subversion.
“It was an association of scientists, physicists and astronomers concerned with the Church’s inaccurate teachings and they were dedicated to scientific truth. The Vatican didn’t like that, so the Church started to “hunt them down and kill them”.
The Illuminati was not a group of scientists dedicated to the advancement of common knowledge. The movie falsely portrays the secret society as the necessary rational counterpart to Christianity’s requirement of blind faith and its hindering of scientific advancement. In this optic, the average viewer cannot disagree with Tom Hank’s description of the Illuminati and sees the order in a favorable way. The real aim of the Illuminati was the overthrow of traditional institutions in favor of a new world order.
The objects of this powerful organization of the
Bavarian Illuminati, were :

1. The destruction of Christianity and of all Monarchical Governments ;
2. The destruction of nations as such in favor of universal
internationalism ;

3. The discouragement of patriotic and loyal effort branded
as narrow minded prejudice, incompatible with the
tenets of goodwill to all men and the cry of ” Universal
Brotherhood ” ;

4. The abolition of family ties and of marriage by means
of systematic corruption ;

5. The suppression of the rights of inheritance and property.
-Lady Queenborough, Occult Theocracy
The Bavarian Illuminati has dissolved some years after its creation. Researchers however say that the Illuminati has successfully integrated itself within modern Freemasonry. Illuminati thinkers believed that worldwide reach of Masonic lodges represented the ideal platform for the propagation of their ideals.
To sum up, the Illuminati was not an association of bright scientists dedicated to the advancement of scientific truths. It was secret society who, through infiltration and subversion, aimed to overthrow traditional institutions in order serve the best interests a secret elite. It is true that the Illuminati was thoroughly anti-Church but this war wasn’t the main reason of its existence. Nowadays, the Illuminati is considered to be a hidden order which recruits within Freemasonry potent candidates for the continuation of its agenda.

Esoteric Meaning of the Movie

angels-demons-mcgregor
(warning: major spoilers ahead)
Dan Brown’s work has mostly been focused on secret societies. There is an important reason why he has the full support of Hollywood: his works serve the agenda of disinformation.
In the movie, the Illuminati threatens the Vatican to “destroy the Church by light”. ”Light” refers to the explosion of the anti-matter bomb but it also refers to information – propaganda and indoctrination. The only true way to make the masses turn their back on Christianity is not by destroying the Vatican, but by changing the way people see their religious elite. In that optic, the movie itself is the bomb against the Vatican. Even if the Church, with the help of Robert Langdon, apparently prevails at the end of the movie, the viewer of Angels of Demons has spent two hours seeing all the symbols, rituals and figures of Catholicism being desecrated. Some examples: Robert Langdon destroys the archives of the Vatican, candidates for papacy are kept in cages like animals, one candidate is crucified and burned inside a church, the tomb of the defunct Pope is opened to reveal his grossly deformed face, etc.

ad1
Candidate to Papacy crucified and burnt inside a church
All those scenes have a strong symbolic meaning which deeply affect the conscientiousness of the viewers. The holy and divine aura surrounding the Vatican is replaced by gruesome deaths, destruction and corruption. The whole movie depicts the institution as an inadequate, stubborn and reactionary relic of the past. To top it off, the viewers learn that the whole “Illuminati” thing was a big setup, masterminded by the son of the Pope (yes apparently, the Pope had a son) to take his position. So the movie tells the viewer that the Illuminati doesn’t even exist and that the Church is so corrupted that its members are ready to commit the most horrendous sins to obtain power.
The viewers ultimately leave the movie with the exact ideas the elite wants them to keep: the Illuminati is a fairy tale and, when it actually existed, it was an association of great thinkers dedicated to the advancement of science; the Catholic Church is not holy, it is a deeply flawed and human institution, which is bound to disappear due to its aversion to science. Through this movie, the real Illuminati denies its own existence while still carrying out its plan to destroy organized religions by constant indoctrination. The age old struggle for power between the Catholic Church and occult orders is taking place on our movie screens and we can clearly see who is winning.

To Conclude

The trend of seeing secret societies in books and movies is not about to end. Dan Brown’s next novel, “The Lost Symbol” will also focus around Freemasonry and its ties with Washington. These works are now appearing as a result of the democratisation of information, which allows regular people to access information which was previously inaccessible. These movies serve the same purpose as occult symbols: to reveal and to conceal. They reveal to the initiates while they mislead the profane. Hollywood movies have been used to promote numerous agendas such as the Vietnam war, the fear of Communism, the fear of Islamic terrorism, the promotion of American values, etc. The movies analyzed above simply promote a new agenda, which is disinformation about secret societies.


Article by: Vigilant Citizen

Tuesday, June 29, 2010

The true OCCULT meaning of Lady Gaga’s “Alejandro”

Lady Gaga’s Alejandro video caused quite a stir with the blasphemous nature of its imagery. Many people are, however, still wondering: What is the meaning of the song and what message is the video trying to convey? This article examines the occult symbols used in Alejandro in order to understand its underlying message.



So, by show of hands, who envisioned gay Nazi soldiers being raped by Lady Gaga while first listening to Alejandro? Okay, counting … one person. One sick, disturbed person. But seriously, art doesn’t have to be literal and Lady Gaga’s latest video surely isn’t. As was the case with Bad Romance and Telephone, the video for Alejandro adds another layer of interpretation to the song by giving the words a deeper meaning.



Taking place in a cold, Orwellian, militaristic setting, the visuals of the video sharply contrast with the “summer-y” Latin beat of the song. Other opposing concepts collide and blend in the video as well: good vs. evil, male vs. female and domination vs. submission. The religious symbolism, in addition to adding the “shock factor” necessary to get people talking, gives the song a definite spiritual connotation.



The video for Alejandro is very symbolic and leaves it open for multiple interpretations. For instance, I’ve read an interpretation of the video claiming that it portrays the Catholic church’s repression of the gay community. This interpretation might have some validity to it, but it ignores many important aspects of the video. Other observers seem to believe that all videos with religious imagery are “tributes to Madonna.” Yes, Madonna did Like a Prayer, but this doesn’t explain anything in Gaga’s video. In addition to a possible tribute, the symbolism of the video tells a story of spiritual rejection and metamorphosis taking place in the context of an oppressive police state. The trend of incorporating militaristic and oppressive imagery in recent music videos has been discussed in some previous articles on Vigilant Citizen.



The video was directed by Steven Klein, a well-established photographer in the fashion industry. He has worked with Calvin Klein, Alexander McQueen, Madonna, Nike and many others. His photographic style often exploits the theme of homoeroticism and he obviously carried that theme into this video format.



We will attempt to decode the symbolism of the video and how it relates in today’s context. Here’s the video:
 
 
Spiritual Transformation
The most prevalent theme in the song is rejection. The introduction of the song establishes this concept right away:

“I know that we are young.

And I know you may love me.

But I just can’t be with you like this anymore,

Alejandro.”




The video starts with a funeral procession. Gaga wears a black veil and holds the Sacred Heart, the bleeding heart of God for humanity. Something is dead inside of Gaga and it seems to be her love for Alejandro.


Is there a syringe in the Sacred Heart?



But who is Alejandro? A gay guy she cannot be with? A man she is cheating on with Roberto and Fernando? All possibilities, the song is not quite clear about that. The imagery of the video, however, tells the viewers that Alejandro might stand for something deeper.



In a later scene, Gaga is shown laying down, wearing a red latex nun suit and holding a rosary.


Looking at the sky she says: “Stop, please, just let me go.” Then, just when she says “Alejandro,” she raises her hands to the sky. In this context, it is safe to say that Alejandro might very well be God.



“She hides true love

En su bolsillo.

She’s got a halo ’round her finger,

Around you.”



The halo around the finger is a wedding ring and Alejandro has a halo around him, which signifies he is considered “holy.” The wedding ring represents Gaga’s union with God through religion, but she is now ashamed of this marriage. She hides the ring in her bolsillo, the Spanish word for pocket. Why does she refer to a Fernando and a Roberto at some point? Is she referring to the triple aspect of God, the holy Trinity?



The concept of rejection is thus applied to God as he does not seem to satisfy Gaga’s spiritual needs. She then decides to seek godhood herself by embracing a new type of spirituality. It seems to me the nun becomes a Luciferian priestess.

Luciferian priestess hiding one eye as a sign of Illuminati control or loyalty
Inverted Cross



Gaga’s robe contains many inverted crosses. This is extremely significant in symbolic language. The cross is a symbol of the Christian faith as it represents Jesus Christ’s sacrifice and resurrection. In Christianity, the inverted cross is known as the “Cross of St. Peter”, in honor of Simon Peter who requested to be crucified upside down because he felt unworthy to be put to death in the same matter as Christ.



In non-Christian circles, however, the inversion of the cross represents the perversion and desecration of what it symbolizes. For this reason, inverted symbols are found in black magic and satanism.



“In symbolism, an inverted figure always signifies a perverted power (…) Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed.”

- Manly P. Hall, Secret Teachings of All Ages

Inverted cross and inverted pentagram as satanic symbols



The inverted cross, placed on Gaga’s crotch, becomes a phallic symbol. Superimposed and combined with her female genitals, the theme of androgyny becomes prevalent. In occult circles, the alchemical transformation of the spiritual matter, the Great Work, must unite both opposing energies.

Becoming a God
 
The rosary is a set of beads used in Catholic tradition for prayer and meditation. By swallowing the rosary, Gaga incorporates within her a symbol of religious devotion because 1) it is shocking and would get media attention 2) represents Gaga seeking to obtain godhood by her own means. We have here a symbolic representation of the tenets of Luciferianism, which is the drive to attain divinity by one own means. Lucifer is considered to be the active principle towards godhood, the one who brought “divine light” to the humans.


In another scene, Gaga is shown giving the sign of benediction and blessing, a gesture reserved in Catholicism to those who are considered Holy.

A classic image of Christ showing the sign of Benediction and pointing towards the Sacred Heart

Later in the video, Gaga is violently pushed around and abused by the dancers surrounding her. She surrenders and removes her robe for sexual, ritual initiation.

At the ending of the video, Gaga is consumed from within and her “inner light” comes out, representing her transformation from the physical to the spiritual plane.

Gaga’s performance at American Idol truly exploited the Luciferian theme of the song.

The performance takes place in a setting reminiscent to the Garden of Eden, where the “Fallen Angel”–Lucifer, the one who was banished from Heaven and tempted Adam and Eve with divine knowledge–presides over the ceremony. Fire comes out of the angel’s wings (after all, he is the “Light Bringer”) each time Gaga says “Alejandro.” At the end of the performance, Gaga is lifted up under the Fallen Angel as a blood-red liquid oozes out from the fountain underneath him. Another ritual sacrifice has taken place on prime-time television.

Police State Imagery
Gaga’s spiritual transformation is taking place in a dark, oppressive and militaristic backdrop. This trend in music videos has been discussed in The Transhumanist and Police State Agenda in Pop Music. The article describes how the public is currently being bombarded with militaristic and oppressive imagery, intertwined with sexuality, in order to desensitize the public and create a subconscious positive association. Alejandro is clearly a continuation of this agenda set by the rest of the industry. During the entire video, we see in the background a giant screen displaying scenes of social unrest, buildings on fire and military police running around, placing the viewers in a tense and oppressive ambiance.


The video opens with men marching to a militaristic rhythm, some of them having their heads covered, maybe hinting that those men are prisoners of some sort. One of men is inside a pyramidal shape while another holds a hexagram as the prisoners march. Is this a representation of the masses marching to the rhythm of the elite, holding up high the symbols of its own oppression?



Gaga is then shown in a position of power, wearing a black, illuminated crown while looking over the prisoners performing for her.
 
 
The “Black Queen” removes one goggle at a time, flashing the Illuminati All-Seeing Eye sign (discussed in many previous articles on this site) and revealing the true nature of her power.


Again, One-Eye hinting to the nature of the oppressive force



In this scene, Gaga wears a “gun bra,” in accordance with the agenda of the sexualization of oppressive imagery. Her back-up dancers are dressed in uniforms reminiscent of dictatorships of the era of Hitler, Stalin, Franco and Mussolini. Political oppression is indeed sexy … oh wait, no, it’s not … it actually goes against everything America supposedly stands for.

Mind Controlled Slaves?
 
In a symbolic scene, a soldier is shown attached to strings, like marionette. He is not in control of his own movements and holds a gun on his privates (more sexualization of weaponry). He stares blankly, looking confused as a mind-control slave would.

In what looks like an internment camp, Gaga has the gay men bound to a bed as she rapes them, in what looks like a reenactment of ritual abuse.

In the final scene of the video, Gaga is shown attached to strings. Is she herself controlled into perpetuating this agenda?


Lady Gaga’s “Alejandro”: The Occult Meaning

Jun 13th, 2010
By Vigilant
Category: Vigilant Reports



Lady Gaga’s Alejandro video caused quite a stir with the blasphemous nature of its imagery. Many people are, however, still wondering: What is the meaning of the song and what message is the video trying to convey? This article examines the occult symbols used in Alejandro in order to understand its underlying message.



So, by show of hands, who envisioned gay Nazi soldiers being raped by Lady Gaga while first listening to Alejandro? Okay, counting … one person. One sick, disturbed person. But seriously, art doesn’t have to be literal and Lady Gaga’s latest video surely isn’t. As was the case with Bad Romance and Telephone, the video for Alejandro adds another layer of interpretation to the song by giving the words a deeper meaning.



Taking place in a cold, Orwellian, militaristic setting, the visuals of the video sharply contrast with the “summer-y” Latin beat of the song. Other opposing concepts collide and blend in the video as well: good vs. evil, male vs. female and domination vs. submission. The religious symbolism, in addition to adding the “shock factor” necessary to get people talking, gives the song a definite spiritual connotation.



The video for Alejandro is very symbolic and leaves it open for multiple interpretations. For instance, I’ve read an interpretation of the video claiming that it portrays the Catholic church’s repression of the gay community. This interpretation might have some validity to it, but it ignores many important aspects of the video. Other observers seem to believe that all videos with religious imagery are “tributes to Madonna.” Yes, Madonna did Like a Prayer, but this doesn’t explain anything in Gaga’s video. In addition to a possible tribute, the symbolism of the video tells a story of spiritual rejection and metamorphosis taking place in the context of an oppressive police state. The trend of incorporating militaristic and oppressive imagery in recent music videos has been discussed in some previous articles on Vigilant Citizen.



The video was directed by Steven Klein, a well-established photographer in the fashion industry. He has worked with Calvin Klein, Alexander McQueen, Madonna, Nike and many others. His photographic style often exploits the theme of homoeroticism and he obviously carried that theme into this video format.



We will attempt to decode the symbolism of the video and how it relates in today’s context. Here’s the video:



Spiritual Transformation



The most prevalent theme in the song is rejection. The introduction of the song establishes this concept right away:



“I know that we are young.

And I know you may love me.

But I just can’t be with you like this anymore,

Alejandro.”



The video starts with a funeral procession. Gaga wears a black veil and holds the Sacred Heart, the bleeding heart of God for humanity. Something is dead inside of Gaga and it seems to be her love for Alejandro.



Is there a syringe in the Sacred Heart?



But who is Alejandro? A gay guy she cannot be with? A man she is cheating on with Roberto and Fernando? All possibilities, the song is not quite clear about that. The imagery of the video, however, tells the viewers that Alejandro might stand for something deeper.



In a later scene, Gaga is shown laying down, wearing a red latex nun suit and holding a rosary.





Looking at the sky she says: “Stop, please, just let me go.” Then, just when she says “Alejandro,” she raises her hands to the sky. In this context, it is safe to say that Alejandro might very well be God.



“She hides true love

En su bolsillo.

She’s got a halo ’round her finger,

Around you.”



The halo around the finger is a wedding ring and Alejandro has a halo around him, which signifies he is considered “holy.” The wedding ring represents Gaga’s union with God through religion, but she is now ashamed of this marriage. She hides the ring in her bolsillo, the Spanish word for pocket. Why does she refer to a Fernando and a Roberto at some point? Is she referring to the triple aspect of God, the holy Trinity?



The concept of rejection is thus applied to God as he does not seem to satisfy Gaga’s spiritual needs. She then decides to seek godhood herself by embracing a new type of spirituality. It seems to me the nun becomes a Luciferian priestess.



Luciferian priestess hiding one eye as a sign of Illuminati control or loyalty





Inverted Cross



Gaga’s robe contains many inverted crosses. This is extremely significant in symbolic language. The cross is a symbol of the Christian faith as it represents Jesus Christ’s sacrifice and resurrection. In Christianity, the inverted cross is known as the “Cross of St. Peter”, in honor of Simon Peter who requested to be crucified upside down because he felt unworthy to be put to death in the same matter as Christ.



In non-Christian circles, however, the inversion of the cross represents the perversion and desecration of what it symbolizes. For this reason, inverted symbols are found in black magic and satanism.



“In symbolism, an inverted figure always signifies a perverted power (…) Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed.”

- Manly P. Hall, Secret Teachings of All Ages



Inverted cross and inverted pentagram as satanic symbols



The inverted cross, placed on Gaga’s crotch, becomes a phallic symbol. Superimposed and combined with her female genitals, the theme of androgyny becomes prevalent. In occult circles, the alchemical transformation of the spiritual matter, the Great Work, must unite both opposing energies.

Becoming a God



The rosary is a set of beads used in Catholic tradition for prayer and meditation. By swallowing the rosary, Gaga incorporates within her a symbol of religious devotion because 1) it is shocking and would get media attention 2) represents Gaga seeking to obtain godhood by her own means. We have here a symbolic representation of the tenets of Luciferianism, which is the drive to attain divinity by one own means. Lucifer is considered to be the active principle towards godhood, the one who brought “divine light” to the humans.



In another scene, Gaga is shown giving the sign of benediction and blessing, a gesture reserved in Catholicism to those who are considered Holy.



A classic image of Christ showing the sign of Benediction and pointing towards the Sacred Heart



Later in the video, Gaga is violently pushed around and abused by the dancers surrounding her. She surrenders and removes her robe for sexual, ritual initiation.



At the ending of the video, Gaga is consumed from within and her “inner light” comes out, representing her transformation from the physical to the spiritual plane.



Gaga’s performance at American Idol truly exploited the Luciferian theme of the song.



The performance takes place in a setting reminiscent to the Garden of Eden, where the “Fallen Angel”–Lucifer, the one who was banished from Heaven and tempted Adam and Eve with divine knowledge–presides over the ceremony. Fire comes out of the angel’s wings (after all, he is the “Light Bringer”) each time Gaga says “Alejandro.” At the end of the performance, Gaga is lifted up under the Fallen Angel as a blood-red liquid oozes out from the fountain underneath him. Another ritual sacrifice has taken place on prime-time television.

Police State Imagery



Gaga’s spiritual transformation is taking place in a dark, oppressive and militaristic backdrop. This trend in music videos has been discussed in The Transhumanist and Police State Agenda in Pop Music. The article describes how the public is currently being bombarded with militaristic and oppressive imagery, intertwined with sexuality, in order to desensitize the public and create a subconscious positive association. Alejandro is clearly a continuation of this agenda set by the rest of the industry. During the entire video, we see in the background a giant screen displaying scenes of social unrest, buildings on fire and military police running around, placing the viewers in a tense and oppressive ambiance.



The video opens with men marching to a militaristic rhythm, some of them having their heads covered, maybe hinting that those men are prisoners of some sort. One of men is inside a pyramidal shape while another holds a hexagram as the prisoners march. Is this a representation of the masses marching to the rhythm of the elite, holding up high the symbols of its own oppression?



Gaga is then shown in a position of power, wearing a black, illuminated crown while looking over the prisoners performing for her.

The “Black Queen” removes one goggle at a time, flashing the Illuminati All-Seeing Eye sign (discussed in many previous articles on this site) and revealing the true nature of her power.
Again, One-Eye hinting to the nature of the oppressive force
In this scene, Gaga wears a “gun bra,” in accordance with the agenda of the sexualization of oppressive imagery. Her back-up dancers are dressed in uniforms reminiscent of dictatorships of the era of Hitler, Stalin, Franco and Mussolini. Political oppression is indeed sexy … oh wait, no, it’s not … it actually goes against everything America supposedly stands for.

Mind Controlled Slaves?



In a symbolic scene, a soldier is shown attached to strings, like marionette. He is not in control of his own movements and holds a gun on his privates (more sexualization of weaponry). He stares blankly, looking confused as a mind-control slave would.
In what looks like an internment camp, Gaga has the gay men bound to a bed as she rapes them, in what looks like a reenactment of ritual abuse.

In the final scene of the video, Gaga is shown attached to strings. Is she herself controlled into perpetuating this agenda?

In Conclusion



As stated above, the video to Alejandro is very complex and symbolic, and lends itself to multiple interpretations, depending on the viewer’s knowledge and point of view. There are, however, parts of the video in which the symbolism is clear and concise, leaving little doubt regarding the message being communicated. During the video, Gaga goes through a very profound metamorphosis, rejecting Christian faith by desecrating its symbols and embracing a new type of spirituality.



Is Gaga’s transformation a representation of the transformation that is currently happening on a worldwide scale? Are members of the elite, who were thought to be part of “regular” religions, revealing their true, Luciferian selves to the public? Will the New World Order leave traditional religions in the dust to embrace a new type of spirituality?



Whatever the case may be, pivotal videos such as this one disseminate into the collective unconscious a specific set of symbols and values that will become, in time, “part of our culture.” In order to achieve this, charismatic figures that are admired by the public are used make those messages cool and trendy. Music fans have been subjected to an intense creative drought in the past years, which caused them to be desperate for a new, eccentric and iconic presence. So Lady Gaga comes into the picture, slightly distances herself from the painfully formulaic music acts and is heralded as the new pop princess. She also brings with her all of the Illuminati agenda and flashes in her fans faces the symbols of their own oppression. I’m sure many fans have a gut feeling that something is wrong with her act, but still can’t stop listening to her. They must tell themselves, “well, there is nothing else to listen to.” And that’s what media monopolies are all about.

Tuesday, November 3, 2009

Jay-Z - The Deception

This blog is not yet finished. It is 11 You Tube video clips that I am going to post for your viewing pleasure. IT IS A MUST SEE! I haven't even watched all of them but if anyone HAS, I would love to hear your comments and feedback. I am definitely going to blog about it after I watch all of them.

Here are the video clips. ENJOY and PLEASE COMMENT BELOW! I would love to hear your thoughts.

Part 1


Part 2


Part 3


Part 4


Part 5


Part 6


Part 7


Part 8


Part 9


Part 10


Part 11
 

Whey abHa yUL wOt LoNG MONto Copyright © 2010 | Designed by: Compartidisimo