Showing posts with label Satanic Initiation. Show all posts
Showing posts with label Satanic Initiation. Show all posts

Thursday, July 8, 2010

Who is Satanist Aleister Crowley??? And his influence on Rock & Roll...





Aleister Crowley was born in England on October 12th 1875, into a wealthy and religious family, members of the Plymouth Brethren.

He studied at Trinity College at Cambridge, devoting his time to poetry and occultism. He intended to become a chemist but never graduated from Cambridge. Having inherited his father's brewing fortune, in 1898 Crowley joined an occult group called the Hermetic Order of the Golden Dawn which taught magic, qabalah, alchemy, tarot, astrology and other hermetic subjects. Members of the Golden Dawn included such notables such as William Butler Yeats, Oscar Wilde's wife Constance, Arthur Edward Waite, Bram Stoker, Sir Arthur Conan Doyle and Florence Farr.

In 1900 the order was shattered by schism. Crowley was expelled, chiefly through the efforts of W.B. Yeats, who did not approve of Crowley's magical methods and moral conduct. In these years and later in his life he would write pornographic poetry and prose, much of which the British Customs seized and destroyed. Crowley left England to travel extensively throughout the East, where he allegedly learned and practiced the mental and physical disciplines of yoga, supplementing his knowledge of western ritual magic with the methods of Oriental mysticism.

He lived the easy life of London's high society and artistic circles in Paris where there was a cabaret called Abbaye de Thélème, at the Picalle (some years later, famous jazzbands would play there). Crowley collaborated with artists, most notably Auguste Rodin and Gerald Kelly: he married Kelly's sister Rose in 1903. He inspired William Somerset Maughan, who portrayed Crowley in the novel "The Magician" as the character Oliver Haddo.

In 1904, Crowley and his wife Rose travelled to Egypt where he wrote down what a shadowy presence behind him dictated, allegedly. It is possible that this entity was Rose (corrections to the original manuscript appear in her handwriting) - but sometimes he called it "Thee, Satan my saviour". The resultant manuscript is a three-part prose-poem, with elements from Crowley's earlier poetry, Augustinus, the Bible and Nietzschean philosophy. It became known as the 'Book of the Law' heralding the dawning of the new Æon governed by Crowley's Law of Thelema. Crowley spent the rest of his life working to develop and establish Thelemic philosophy and magic.

After 1910 he was in contact with the German Ordo Templi Orientis, and in 1912 became the head of the English-speaking branch of the Order.

From 1915 to 1919 Crowley lived in the United States, publishing a fair amount of anti-British propaganda, and in the 1920's he moved to Sicily. Crowley hoped that his Cefalù hut, dubbed the 'Abbaye de Thélème' (from Rabelais' novel "Gargantua et Pantagruel), would be a world centre for the study of occultism. He was expelled from Sicily by Mussolini, whereupon Crowley's life took a turn for the worse. From Italy Crowley went on to Tunis, then to Germany, where he met several continental occultists. In 1925 some of them accepted him as head of one branch of the O.T.O.; but during his lifetime, his version of the Order never had more than a handful of members.

Crowley's later years were overshadowed by poor health, drug addiction, and a desperate hunt for money. In 1934 he sued authoress Nina Hamnett for libel, and lost. In 1935, he was declared bankrupt and mostly lived from the monies from his religious sheep

He got through the London Blitz and died in Hastings, England on December 1st 1947, 72 years old.

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Famous Satanist Aleister Crowley (born Edward Alexander Crowley) (1875-1947) has had a large influence upon modern rock music. The following overview of Crowley’s life is from Hungry for Heaven by Steve Turner:

“Born in 1875, Aleister Crowley had, like the Rolling Stones, rebelled against a regulated small-town background. He’d been raised in Leamington, Warwickshire, by parents who were members of the Strict Brethren, a fundamentalist Christian sect. From an early age young Aleister identified with the enemies of God in the Bible stories that were read to him. In particular he identified with the antichrist predicted in the book of Revelation. In 1898 he joined the Hermetic Order of the Golden Dawn, a magical society.

“Most of Crowley’s adult life was dedicated to indulging in everything he believed God would hate: performing sex magic, taking heroin, opium, hashish, peyote and cocaine, invoking spirits, and even once offering himself to the Russian authorities to help destroy Christianity. He wrote volumes of books that he believed were dictated to him by a spirit from ancient Egypt called Aiwass. “To worship me take wine and strange drugs,” the spirit conveniently told him. “Lust, enjoy all things of sense and rapture. Fear not that any God shall deny thee for this.” …

“Crowley finished his life as a sick, wasted heroin addict given to black rages and doubts about the value of his life’s work. His last words as he passed into a coma on December 1, 1947, were, “I am perplexed…” (Steve Turner, Hungry for Heaven, pp. 92,97,98).

Aleister’s father Edward was a Brethren preacher, but he had inherited a fortune from his father who Crowley Ale. Edward died when Aleister was eleven and the son inherited the fortune. From this inheritance, Aleister financed his satanic career. He began torturing and killing animals at age twelve. Crowley was a heroin addict and a sexual pervert. His Christian mother referred to him as “The Great Beast of Revelation whose number is 666,” and he was pleased with the title. He was convinced that he was the reincarnation of the magician Eliphas Levi, who died the year Crowley was born. Crowley also believed he had lived other lives, including that of Pope Alexander VI. Crowley claimed that dark powers gave him the words to his “Book of the Law.” His first wife, Rose, died in a mental asylum. His second wife also went insane. “Five mistresses committed suicide, and scores of his concubines ended in the gutter as alcoholics, drug addicts, or in mental institutions” (Hellhounds on Their Trail, p. 56).

Crowley’s philosophy was as follows —

“Do what thou wilt shall be the whole of the law.”

“Lust, enjoy all things of sense and rapture. Fear not that any God shall deny thee for this.”

“I do not wish to argue that the doctrines of Jesus, they and they alone, have degraded the world to its present condition. I take it that Christianity is not only the cause but the symptom of slavery” (Crowley, The World’s Tragedy, p. xxxix).

“That religion they call Christianity; the devil they honor they call God. I accept these definitions, as a poet must do, if he is to be at all intelligible to his age, and it is their God and their religion that I hate and will destroy” (Crowley, The World’s Tragedy, p. xxx).

Crowley studied Buddhism and Hindu yoga, following in the footsteps of Helena Blavatsky, and did much to popularize these in the West.

In 1922, Crowley published Dairy of a Drug Fiend, which was about the use of cocaine. He described the widespread use of cocaine among Hollywood stars, which he described as “cocaine-crazed sexual lunatics.”

As noted, Crowley died a wasted heroin addict given to rages and doubts. His last words were “I am perplexed…” Crowley worshipped the demon god Pan, the god of sexuality and lust. His “Hymn to Pan” was read at his funeral: “I rave and I rape and I rip and I rend/ Everlasting world without end!”

Crowley has had a great influence on rock & roll. The International Times voted Crowley “the unsung hero of the hippies.” One man who helped popularized Crowley’s work among rockers is avant-garde film artist Kenneth Anger. He claimed that his films were inspired by Crowley’s philosophy and called them “visual incantations” and “moving spells.” Anger considered Crowley a unique genius. Mick Jagger of the Rolling Stones and Jimmy Page of Led Zeppelin both scored soundtracks for Anger’s films about Crowley. See “Led Zeppelin” for more about Page’s enthusiasm for Crowley.

Crowley’s photo appeared on the Beatles’ Sgt. Pepper album cover. The Beatles testified that the characters who appeared on the album were their “heroes.” John Lennon explained to Playboy magazine that “the whole Beatle idea was to do what you want … do what thou wilst, as long as it doesn’t hurt somebody” (Lennon, cited by David Sheff, The Playboy Interviews with John Lennon and Yoko Ono, p. 61). This was precisely what Crowley taught.

Ozzy Osbourne called Crowley “a phenomenon of his time” (Circus, Aug. 26, 1980, p. 26). Ozzy even had a song called “Mr. Crowley.” “You fooled all the people with magic/ You waited on Satan's call / … Mr. Crowley, won't you ride my white horse…”

On the back cover of the Doors 13 album, Jim Morrison and the other members of the Doors are shown posing with a bust of Aleister Crowley.

David Bowie referred to Crowley in his song “Quicksand” from the album The Man Who Sold the World.

Graham Bond thought he was Crowley’s illegitimate son and recorded albums of satanic rituals with his band Holy Magick.

Iron Maiden lead singer Bruce Dickinson said: “… we’ve referred to things like the tarot and ideas of people like Aleister Crowley” (Circus, Aug. 31, 1984). Their song “The Number of the Beast” said, “666, the number of the beast/ 666, the one for you and me.” Crowley was called the Beast.

Daryl Hall of the rock duo Hall and Oates admits that he follows Crowley. “I became fascinated with Aleister Crowley, the nineteenth-century British magician who shared those beliefs. … I was fascinated by him because his personality was the late-nineteenth-century equivalent of mine—a person brought up in a conventionally religious family who did everything he could to outrage the people around him as well as himself” (Rock Lives: Profiles and Interviews, p. 584). Hall owns a signed and numbered copy of Crowley’s The Book of Thoth (about an Egyptian god).

Sting, formerly of the Police, has spent many hours studying Crowley’s writings.

Stiv Bators, lead singer for The Dead Boys and Lords of the New Church, had a song titled “Do What Thou Wilt/ This Is the Law,” after the philosophy of Satanist Aleister Crowley. In another song Bators sang: “I heard the Devil curse/ I recognized my name.”

LSD guru Timothy Leary was a Crowley enthusiast. He said: “I’ve been an admirer of Aleister Crowley. I think that I’m carrying on much of the work that he started over a hundred years ago … He was in favor of finding yourself, and ‘Do what thou wilt shall be the whole of the law’ under love. It was a very powerful statement. I’m sorry he isn’t around now to appreciate the glories he started” (Late Night America, Public Broadcasting Network, cited by Hells Bells, Reel to Real Ministries).

The Marilyn Manson song “Misery Machine” contains the lyrics, “We’re gonna ride to the abbey of Thelema.” The Abbey of Thelema was the temple of Satanist Aleister Crowley.

“And have no fellowship with the unfruitful works of darkness, but rather reprove them” (Ephesians 5:11).

“Be ye not unequally yoked together with unbelievers: for what fellowship hath righteousness with unrighteousness? and what communion hath light with darkness?” (2 Cor. 6:14).




 

Proof that Lady Gaga supports Satan.




Lady Gaga and her music is making such a big buzz! Her songs are so catchy, she has girls wanting to be her, dress like her and they don't even understand the message she is circulating. They chant her music, they cover one eye, they do it all, not knowing the real meaning behind her madness... Check out this video clip here:



I can't be down with or support anyone who walks on the dark side, supports that movement, etc. It just doesn't  sit right with my stomach...

Tuesday, June 29, 2010

I think its safe to say Drake is now "One of Them" too...

Okay so some of you can choose to believe or choose not to believe the method and\or truth behind this madness. I mean, do the research, do the math, and it all adds up just about right to me. Unfortunately I had to take these pictures off of whack ole' MediaTakeOut.com, but I am also going to post the lyrics to the song Drake has with Jay-Z and in other words, they are kinda saying that they sold their souls for "this life" and "let's celebrate"! I remember when people would refer to "the life" as being gay or homosexual, now "the life" is referred to as a secret society.

Not sure if you've heard "Light Up" but as Rick Ross says, "Its Deeper Than Rap"!

And here are the lyrics to the song with Drake and Jay-Z titled "Light Up"...

[Verse 1: Drake]

I've been up for 4 days

Getting money both ways

Dirty and clean, I could use a glass of cold Spades

Rolexes, chauffeurs and low fades

I keep thinking how young you can die from old age

They always tell me nobody's working as hard as you

And even though I laugh it off, man, it's probably true

Cuz while all of my closest friends out partying

I'm just here making all the music that they party to

But party on, party on, all night nigga

I got these new rappers nervous prom night nigga

I've grown tired of these fucking grown man liars

Storytellers, they ain't even need a campfire

Uhh, but I just wanna tell the truth

Before one of these haters load a couple shells and shoot

This shit feel like when Fredro Starr was at Sunset Park

Stuntin' hard in his yellow Goose

Yeah, but I'm a ma'fuckin' missed target

But a target nonetheless and I just started

Was that directed at moi? It can't be

They must be talking to themselves, hoes hands free

Yeah, and I'm just filling up this daily planner

Gettin' busy 'cause I'm a star, no spangled banner

Jealous dudes get to talkin' in they music

And I just say I wrote it for your girlfriends, Kelsey Grammar

Yeah, that's what life becomes when you're doing you

Welcome to Hollywood, don't let this town ruin you,

And if you pillow talking with the women that are screwin' you

Just know that she gon' tell another nigga when she through wit you

Don't get impatient when it takes too long

Drink it all even when it tastes too strong

Yeah, I gotta feel alive, even if it kills me

I promise to always give you me, the real me



[Chorus: Drake]

Who would have thought

I'd be caught in this life?

Let's celebrate with a toast

And get lost in tonight

And make it all light up

(Hey, Guru, tell hom' to go to open that Ace right there),

Wait until the sun goes down

We gon' make this bitch light up

Even when the sun goes down

I'm gon' make this go



[Verse 2: Jay-Z]

Owww, hoes turn they heads like, owls

I'm the man of the hour

Triple entendre, don't even ask me how

Con Edison flow, I'm connected to a higher power

Bright life'd make your whole city light up

A trillion-watt light bulb, when I'm in the nightclub

I just landed in that G450

Caught the Mayweather fight, 'cause the satellite was crispy

(Uh) Y'all can miss me with that money talk

The smart money's on Hov, fuck what the dummies talk

I don't do too much blogging

I just run the town, I don't do too much jogging

(Unh) I ain't got a scar yet

'Cause you fuckin' around with me and my dogs is far-fetched

Drake, here is how they gon' come at you

Will silly raps for you tryin' to distract you

In disguise, in the form of a favor

The Barzini me, watch for the traitors

(Unh) I done seen it all, done it all

That's why none of these dumb-dumbs could dun him off

The summer's ours, the winter too

Top down in the winter, that's what winners do

And to these niggas I'm like Windows 7

You let 'em tell it, they swear that they invented you

And since no good deed go unpunished

I'm not as cool with niggas as I once was

I once was, cool as The Fonz was

But these bright lights turned me to a monster

Sorry, mama, I promised it wouldn't change me

But I would've went insane had I remained the same me

Fuck niggas, bitches too

All I got is this money, this'll do



[Chorus: Drake]

Who would have thought

I'd be caught in this life?

Let's celebrate with a toast

And get lost in tonight

And make it all light up

Wait until the sun goes down

We gon' make this bitch light up

Wait until the sun goes down

I'm gon' make this go



I think that it is safe to say that Drake has officially been sucked in to this whole "secret society life". He sure is representing!




Jay-Z TELLS YOU he is connected to a higher power. . . And he AIN'T talkin' about Jesus Christ either... He even states that "no GOOD deed goes UNpunished... Why would he want people to think that doing good is bad! That is like saying evil is good! SMH! Oh yeah and Mr. Edison was also a Mason.... might I add...

"All I got is this money, this will do" - making you think about nothing but money! Which is the root of all evil... Its not always about the money!



Did you peep out his hand gestures???? Hmmmmm.....

These bright lights turned me into a monster... Do I need to continue... I'm good on the dark side.... SMH!

Blood Money - Hollywood Blood Sacrifices - Must I Run It To You AGAIN???

Here you will find the storylines behind some of the blood sacrifices that went on in Hollywood which makes total sense to me. AGAIN, I can SHOW YOU better than I can TELL YOU but for those of you who continue to be naive to all of this and what is going around you, I feel so sorry for you!




Here is part 1:





Here is part 2:





And here is part 3:

Christina Aguilera’s “Not Myself Tonight”: More Illuminati Music


Christina Aguilera’s new album and video introduces fans to a definite style change. The singer now clearly fits the mold of the occult music industry by incorporating its themes and symbolism into her art. We will look at the hidden meaning of her video “Not Myself Tonight” to and we’ll see how her new album relates with the rest of the music industry.
Christina Aguilera’s new album and video introduces fans to a definite style change. The singer now clearly fits the mold of the occult music industry by incorporating its themes and symbolism into her art. We will look at the hidden meaning of her video “Not Myself Tonight” to and we’ll see how her new album relates with the rest of the music industry.

I’ve always considered Christina Aguilera to be a notch above most pop singers due to the fact that she could actually sing. However, in order to continue with her success, it was only a matter of time before she ended up in the same place as the other pop stars in the market today. Everything about her new album is heavily tainted with the Illuminati agenda, and the first single Not Myself Tonight acts as an initiation piece. It contains many elements seen in other videos discussed on The Vigilant Citizen, which probably explains the number of e-mails I’ve received regarding it. Some observers have accused Not Myself Tonight of copying Lady Gaga’s Bad Romance. We will see that this plagiarism is, in fact, Christina only following the trend forced on pop stars.
Warning: Parts of this article might be disturbing for some.

From Christina to Xtina
Christina was first discovered by Disney, a company that has specialized in recruiting kids who then progressively become sex bombs as the years go by (Miley Cyrus is next). Christina was part of a particularly prolific edition of the Mickey Mouse Club.


Christina used her great talent to make her way into the pop scene with the 1999 album Christina Aguilera, with a clean “innocent teen” look. Everything changed in 2002-2003 with the release of the album Stripped. In a very symbolic performance during the 2003 MTV Video Music Awards, Christina is “consecrated” by the Kabbalistic Grand Priestess Madonna. This highly publicized event deserves a second look.

2003 VMA  Performance

Taking place on a Masonic checkerboard-patterned floor, this symbolic performance is the ritualistic initiation of Britney Spears and Christina Aguilera into the occult music business. The ceremony starts with Britney and Christina making their way down a pyramid-shaped cake singing Madonna’s Like a Virgin. The song choice is very significant as it describes the young singers’ purity and innocence before the ceremony. This is also reinforced by their white gowns. Then the Priestess comes out, wearing a black tuxedo and a Masonic top hat.


She sings Hollywood, a song about the city symbolizing the entertainment establishment, the gateway to super-stardom. Madonna is a representative of the occult industry and welcomes Britney and Christina into it. She sings:



Everybody comes to Hollywood

They wanna make it in the neighborhood

They like the smell of it in Hollywood

How could it hurt you when it looks so good?

Shine your light now

This time it’s got to be good

You get it right now

Cause you’re in Hollywood

The entire performance puts into light Madonna’s domination and superiority over the singers. She ultimately passes on the torch to the two singers with a symbolic kiss.
 
They should maybe bear in mind this verse from the song Hollywood:

I lost my memory in Hollywood

I’ve had a million visions bad and good

There’s something in the air in Hollywood

I tried to leave it but I never could

Following in the footsteps of Madonna, Christina and Britney then appeared to dabble with Kabbalah, though only a “Hollywood” brand of Kabbalah, as tattoos are not permitted in its sacred scriptures.
Left is Britney’s tattoo of the Hebrew letters Mem-Hey-Shin, one of the 72 names of God. This one represents “healing”. Right is Christina’s tattoo of the Hebrew characters Yud and Bet, apparently dedicated to her husband Jordan Bratman.


In the years that followed, Christina took the apparently obligatory “sexualization” path of Illuminati idols and also appeared in works associated with black magic and mind control.

The New Christina
Black magic photo shoot complete with ritualistic pentagram and discarded dolls

Dehumanization and alter persona symbolized by the mannequin



Christina as a programmable robot (reference to mind control) and the now inevitable focus on one eye


More One Eye Symbolism
As seen in many other articles, almost all pop artists taking on Illuminati themes in their art almost always flash the “one eye sign” in their videos or photo shoots. Christina is not an exception.






Concept of Not Myself Tonight



Not Myself Tonight has been accused of copying Lady Gaga’s Bad Romance. Although the videos were produced by two different directors (Francis Lawrence for Gaga and Hype Williams for Christina), they both exploit similar themes, which are also common in many other pop music videos. Although it is easy to say “the bitch copied Gaga!”, this statement does not take into consideration the bigger picture of the music industry. The same themes are expected and required to be prevalent in today’s hits. The industry defines its own trends and in order to be successful, artists must follow these trends and communicate the same messages. Not Myself Tonight is simply a continuation of the Illuminati agenda through another artist, and therefore exploits its trademark themes such as mind control, transhumanism, occult initiation and so forth.
 
Here’s the video:

The subject of the song is Christina being “not herself tonight” which is, at face value, her wanting to go out and go crazy, “kissing the boys and the girls.” However, the imagery and symbolism of the video adds another level of interpretation to the song that refers to mind control, occult initiation and alter personalities. The theme of being “out of character” and not controlling one’s actions is often portrayed in recent videos and is associated, through symbolism, to Monarch programming or supernatural “possession.” This is often symbolically represented by the classic “devil horns” as seen on the promo image of her single.

As said earlier, she is just following the trend set by the industry.


Monarch programming is a mind-control method based on the creation of an alternate persona through the usage of torture and ritual abuse. Some authors on the subject, such as Ron Patton, have mentioned that Monarch programming utilizes ancient occult techniques reminiscent of spirit possession. The lyrics of the song reflect the creation of a new persona:

“I’m out of character, I’m in rare form

And if you really knew me, you’d know its not the norm

Cos I’m doing things that I normally won’t do

The old me is gone , I feel brand new

And if you don’t like it, fuck you”

As we will see later, the symbolism of the video is based on initiation and on the creation of an alter personality, which is expressed lyrically The old me is gone, I feel brand new. The theme of being a crazier/wilder/sexier self is often portrayed in recent videos and is almost always coupled with scenes of restraint, dehumanization and/or torture. This is an obvious case of cognitive dissonance, where the portrayal of torture is a part of one’s “liberation.” In Not Myself Tonight, Christina is seen hog-tied with her eyes forced opened, which is reminiscent of mind control victims being forced to watch videos to reinforce their programming.
This practice is depicted in the mind-control themed Clockwork Orange by Stanley Kubrick.


Screen shot from Clockwork Orange where Alex is forced to watch ultra-violent scenes as part of his reprogramming.

Sex Kitten Programming
The first part of the video is heavily tainted with references to mind control and, more precisely, Sex Kitten programming. This trend is becoming increasingly common in the music and fashion industry.

BETA. Referred to as “sexual” programming. This programming eliminates all learned moral convictions and stimulates the primitive sexual instinct, devoid of inhibitions. “Cat” alters may come out at this level.

-Ron Patton, Project Monarch



In mind control, Beta programming, also known as Sex Kitten programming creates in the dissociative victim an alter-personality that is a programmed to be sex slave.



“The mind will begin to dissociate, and will begin to reverse the primordial brain functions such as pain is pleasure. The person’s mind rearranges. This is often done with Beta alters or Beta models to get them to think that the pain of sadistic rape is a pleasure. After this reversal in the mind that “PAIN IS LOVE”, the S&M kitten alters will beg their handler to slap them, tie them up, hurt them, etc.”

- Cisco Wheeler and Fritz Springmeier, The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave

Some references to sex kitten programming are peppered throughout the video.
The creation of alter personalities is represented in the video with Christina being surrounded by look-a-likes. She plays the role of the mind-control handler herself.

BDSM, submission and alter personalities portrayed in this “tribute” to Madonna’s Express Yourself

Ritual Initiation
The second part of the video essentially describes Xtina’s “initiation” through ritual sex. Some symbolic scenes tell this story.

Halfway through the song, Christina is dressed in black with masculine features and standing between two pseudo-masonic pillars.

Similar to the VMA performance referenced above, where Madonna played the master of ceremonies. Christina plays the same role in this scene. She is standing on top of stairs, near a mysterious gateway, symbolizing her high rank within the “inner-hierarchy”. Her monocle covers one eye which refers to the Illuminati power structure. The master of ceremonies kicks off the ritual initiation of Xtina, the Sex Kitten.

In the following scene, Xtina is shown entering a doorway, symbolizing the “passing through the gates” of her initiation.

Xtina is then shown putting fire to her clothes, indicating that she is destroying her old self and embracing the new Xtina alter persona.
 
The initiation is then sealed and consummated by nothing less than an orgy inside a church.
 
The scene in the church gives spiritual connotation to the initiation. An orgy in a place that is considered sacred is a form of desecration that is reminiscent of black magic rituals. The video is not simply about a girl wanting to “go crazy,” it is about an initiation into the “dark side.”
To further portray the completion of the initiation of this mind control slave, Xtina is shown covering herself with “black milk” or maybe black semen.
 

“Sexual abuse [...] is more powerful when it is put into the context of demonic magic. The abuser’s semen is magic and seals the programming. The ritual aspect of it, and the repetitive nature of the abuse creates several dynamics that accompany the abuse that wouldn’t occur in non-ritual abuse.”


- Cisco Wheeler and Fritz Springmeier, The Illuminati Formula Used to Create an Undetectable Total Mind Controlled Slave
 
In Conclusion

Although Christina Aguilera’s new work was accused of plagiarism by some pop culture observers, they fail to realize that she is simply following the agenda forced on pop stars. The standardization of the music industry has resulted in different artists exploiting the same symbolism, themes and aesthetics. Superficial differences define each artist, but the content and message of their music stay the same. If some articles on this site appear redundant, it is because of the clear redundancy of the messages communicated by the music industry through the products it promotes. This repetition is an important clue to identify the existence of a alternative agenda in the industry.

The complete transformation of Christina Aguilera for the Bionic album, and her embrace of ALL of the themes discussed in previous articles (including the “one-eye thing”) should send you a clear message. There is an agenda in the music industry and one must fit the mold in order to get promoted as a star. This does not guarantee worldwide success, but it is the only way to get the industry approval needed to obtain it.
Her latest effort completely embraces today’s Illuminati agenda by exploiting the theme of transhumanism (explained in this article). The album title “Bi-on-ic” and the cover art is truly about the merger of man and robot. Christina’s head is portrayed as a programmable mechanism, a concept relating to mind control. “Bi-On-Ic” also apparently means “bisexual on ice”, ice being the slang word for methamphetamine. So, when she is under the influence of this powerful drug, she becomes bisexual. Knowing that methamphetamine is extensively used on mind control victims, especially in sexual programming, the album title is rather disturbing.

The true OCCULT meaning of Lady Gaga’s “Alejandro”

Lady Gaga’s Alejandro video caused quite a stir with the blasphemous nature of its imagery. Many people are, however, still wondering: What is the meaning of the song and what message is the video trying to convey? This article examines the occult symbols used in Alejandro in order to understand its underlying message.



So, by show of hands, who envisioned gay Nazi soldiers being raped by Lady Gaga while first listening to Alejandro? Okay, counting … one person. One sick, disturbed person. But seriously, art doesn’t have to be literal and Lady Gaga’s latest video surely isn’t. As was the case with Bad Romance and Telephone, the video for Alejandro adds another layer of interpretation to the song by giving the words a deeper meaning.



Taking place in a cold, Orwellian, militaristic setting, the visuals of the video sharply contrast with the “summer-y” Latin beat of the song. Other opposing concepts collide and blend in the video as well: good vs. evil, male vs. female and domination vs. submission. The religious symbolism, in addition to adding the “shock factor” necessary to get people talking, gives the song a definite spiritual connotation.



The video for Alejandro is very symbolic and leaves it open for multiple interpretations. For instance, I’ve read an interpretation of the video claiming that it portrays the Catholic church’s repression of the gay community. This interpretation might have some validity to it, but it ignores many important aspects of the video. Other observers seem to believe that all videos with religious imagery are “tributes to Madonna.” Yes, Madonna did Like a Prayer, but this doesn’t explain anything in Gaga’s video. In addition to a possible tribute, the symbolism of the video tells a story of spiritual rejection and metamorphosis taking place in the context of an oppressive police state. The trend of incorporating militaristic and oppressive imagery in recent music videos has been discussed in some previous articles on Vigilant Citizen.



The video was directed by Steven Klein, a well-established photographer in the fashion industry. He has worked with Calvin Klein, Alexander McQueen, Madonna, Nike and many others. His photographic style often exploits the theme of homoeroticism and he obviously carried that theme into this video format.



We will attempt to decode the symbolism of the video and how it relates in today’s context. Here’s the video:
 
 
Spiritual Transformation
The most prevalent theme in the song is rejection. The introduction of the song establishes this concept right away:

“I know that we are young.

And I know you may love me.

But I just can’t be with you like this anymore,

Alejandro.”




The video starts with a funeral procession. Gaga wears a black veil and holds the Sacred Heart, the bleeding heart of God for humanity. Something is dead inside of Gaga and it seems to be her love for Alejandro.


Is there a syringe in the Sacred Heart?



But who is Alejandro? A gay guy she cannot be with? A man she is cheating on with Roberto and Fernando? All possibilities, the song is not quite clear about that. The imagery of the video, however, tells the viewers that Alejandro might stand for something deeper.



In a later scene, Gaga is shown laying down, wearing a red latex nun suit and holding a rosary.


Looking at the sky she says: “Stop, please, just let me go.” Then, just when she says “Alejandro,” she raises her hands to the sky. In this context, it is safe to say that Alejandro might very well be God.



“She hides true love

En su bolsillo.

She’s got a halo ’round her finger,

Around you.”



The halo around the finger is a wedding ring and Alejandro has a halo around him, which signifies he is considered “holy.” The wedding ring represents Gaga’s union with God through religion, but she is now ashamed of this marriage. She hides the ring in her bolsillo, the Spanish word for pocket. Why does she refer to a Fernando and a Roberto at some point? Is she referring to the triple aspect of God, the holy Trinity?



The concept of rejection is thus applied to God as he does not seem to satisfy Gaga’s spiritual needs. She then decides to seek godhood herself by embracing a new type of spirituality. It seems to me the nun becomes a Luciferian priestess.

Luciferian priestess hiding one eye as a sign of Illuminati control or loyalty
Inverted Cross



Gaga’s robe contains many inverted crosses. This is extremely significant in symbolic language. The cross is a symbol of the Christian faith as it represents Jesus Christ’s sacrifice and resurrection. In Christianity, the inverted cross is known as the “Cross of St. Peter”, in honor of Simon Peter who requested to be crucified upside down because he felt unworthy to be put to death in the same matter as Christ.



In non-Christian circles, however, the inversion of the cross represents the perversion and desecration of what it symbolizes. For this reason, inverted symbols are found in black magic and satanism.



“In symbolism, an inverted figure always signifies a perverted power (…) Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed.”

- Manly P. Hall, Secret Teachings of All Ages

Inverted cross and inverted pentagram as satanic symbols



The inverted cross, placed on Gaga’s crotch, becomes a phallic symbol. Superimposed and combined with her female genitals, the theme of androgyny becomes prevalent. In occult circles, the alchemical transformation of the spiritual matter, the Great Work, must unite both opposing energies.

Becoming a God
 
The rosary is a set of beads used in Catholic tradition for prayer and meditation. By swallowing the rosary, Gaga incorporates within her a symbol of religious devotion because 1) it is shocking and would get media attention 2) represents Gaga seeking to obtain godhood by her own means. We have here a symbolic representation of the tenets of Luciferianism, which is the drive to attain divinity by one own means. Lucifer is considered to be the active principle towards godhood, the one who brought “divine light” to the humans.


In another scene, Gaga is shown giving the sign of benediction and blessing, a gesture reserved in Catholicism to those who are considered Holy.

A classic image of Christ showing the sign of Benediction and pointing towards the Sacred Heart

Later in the video, Gaga is violently pushed around and abused by the dancers surrounding her. She surrenders and removes her robe for sexual, ritual initiation.

At the ending of the video, Gaga is consumed from within and her “inner light” comes out, representing her transformation from the physical to the spiritual plane.

Gaga’s performance at American Idol truly exploited the Luciferian theme of the song.

The performance takes place in a setting reminiscent to the Garden of Eden, where the “Fallen Angel”–Lucifer, the one who was banished from Heaven and tempted Adam and Eve with divine knowledge–presides over the ceremony. Fire comes out of the angel’s wings (after all, he is the “Light Bringer”) each time Gaga says “Alejandro.” At the end of the performance, Gaga is lifted up under the Fallen Angel as a blood-red liquid oozes out from the fountain underneath him. Another ritual sacrifice has taken place on prime-time television.

Police State Imagery
Gaga’s spiritual transformation is taking place in a dark, oppressive and militaristic backdrop. This trend in music videos has been discussed in The Transhumanist and Police State Agenda in Pop Music. The article describes how the public is currently being bombarded with militaristic and oppressive imagery, intertwined with sexuality, in order to desensitize the public and create a subconscious positive association. Alejandro is clearly a continuation of this agenda set by the rest of the industry. During the entire video, we see in the background a giant screen displaying scenes of social unrest, buildings on fire and military police running around, placing the viewers in a tense and oppressive ambiance.


The video opens with men marching to a militaristic rhythm, some of them having their heads covered, maybe hinting that those men are prisoners of some sort. One of men is inside a pyramidal shape while another holds a hexagram as the prisoners march. Is this a representation of the masses marching to the rhythm of the elite, holding up high the symbols of its own oppression?



Gaga is then shown in a position of power, wearing a black, illuminated crown while looking over the prisoners performing for her.
 
 
The “Black Queen” removes one goggle at a time, flashing the Illuminati All-Seeing Eye sign (discussed in many previous articles on this site) and revealing the true nature of her power.


Again, One-Eye hinting to the nature of the oppressive force



In this scene, Gaga wears a “gun bra,” in accordance with the agenda of the sexualization of oppressive imagery. Her back-up dancers are dressed in uniforms reminiscent of dictatorships of the era of Hitler, Stalin, Franco and Mussolini. Political oppression is indeed sexy … oh wait, no, it’s not … it actually goes against everything America supposedly stands for.

Mind Controlled Slaves?
 
In a symbolic scene, a soldier is shown attached to strings, like marionette. He is not in control of his own movements and holds a gun on his privates (more sexualization of weaponry). He stares blankly, looking confused as a mind-control slave would.

In what looks like an internment camp, Gaga has the gay men bound to a bed as she rapes them, in what looks like a reenactment of ritual abuse.

In the final scene of the video, Gaga is shown attached to strings. Is she herself controlled into perpetuating this agenda?


Lady Gaga’s “Alejandro”: The Occult Meaning

Jun 13th, 2010
By Vigilant
Category: Vigilant Reports



Lady Gaga’s Alejandro video caused quite a stir with the blasphemous nature of its imagery. Many people are, however, still wondering: What is the meaning of the song and what message is the video trying to convey? This article examines the occult symbols used in Alejandro in order to understand its underlying message.



So, by show of hands, who envisioned gay Nazi soldiers being raped by Lady Gaga while first listening to Alejandro? Okay, counting … one person. One sick, disturbed person. But seriously, art doesn’t have to be literal and Lady Gaga’s latest video surely isn’t. As was the case with Bad Romance and Telephone, the video for Alejandro adds another layer of interpretation to the song by giving the words a deeper meaning.



Taking place in a cold, Orwellian, militaristic setting, the visuals of the video sharply contrast with the “summer-y” Latin beat of the song. Other opposing concepts collide and blend in the video as well: good vs. evil, male vs. female and domination vs. submission. The religious symbolism, in addition to adding the “shock factor” necessary to get people talking, gives the song a definite spiritual connotation.



The video for Alejandro is very symbolic and leaves it open for multiple interpretations. For instance, I’ve read an interpretation of the video claiming that it portrays the Catholic church’s repression of the gay community. This interpretation might have some validity to it, but it ignores many important aspects of the video. Other observers seem to believe that all videos with religious imagery are “tributes to Madonna.” Yes, Madonna did Like a Prayer, but this doesn’t explain anything in Gaga’s video. In addition to a possible tribute, the symbolism of the video tells a story of spiritual rejection and metamorphosis taking place in the context of an oppressive police state. The trend of incorporating militaristic and oppressive imagery in recent music videos has been discussed in some previous articles on Vigilant Citizen.



The video was directed by Steven Klein, a well-established photographer in the fashion industry. He has worked with Calvin Klein, Alexander McQueen, Madonna, Nike and many others. His photographic style often exploits the theme of homoeroticism and he obviously carried that theme into this video format.



We will attempt to decode the symbolism of the video and how it relates in today’s context. Here’s the video:



Spiritual Transformation



The most prevalent theme in the song is rejection. The introduction of the song establishes this concept right away:



“I know that we are young.

And I know you may love me.

But I just can’t be with you like this anymore,

Alejandro.”



The video starts with a funeral procession. Gaga wears a black veil and holds the Sacred Heart, the bleeding heart of God for humanity. Something is dead inside of Gaga and it seems to be her love for Alejandro.



Is there a syringe in the Sacred Heart?



But who is Alejandro? A gay guy she cannot be with? A man she is cheating on with Roberto and Fernando? All possibilities, the song is not quite clear about that. The imagery of the video, however, tells the viewers that Alejandro might stand for something deeper.



In a later scene, Gaga is shown laying down, wearing a red latex nun suit and holding a rosary.





Looking at the sky she says: “Stop, please, just let me go.” Then, just when she says “Alejandro,” she raises her hands to the sky. In this context, it is safe to say that Alejandro might very well be God.



“She hides true love

En su bolsillo.

She’s got a halo ’round her finger,

Around you.”



The halo around the finger is a wedding ring and Alejandro has a halo around him, which signifies he is considered “holy.” The wedding ring represents Gaga’s union with God through religion, but she is now ashamed of this marriage. She hides the ring in her bolsillo, the Spanish word for pocket. Why does she refer to a Fernando and a Roberto at some point? Is she referring to the triple aspect of God, the holy Trinity?



The concept of rejection is thus applied to God as he does not seem to satisfy Gaga’s spiritual needs. She then decides to seek godhood herself by embracing a new type of spirituality. It seems to me the nun becomes a Luciferian priestess.



Luciferian priestess hiding one eye as a sign of Illuminati control or loyalty





Inverted Cross



Gaga’s robe contains many inverted crosses. This is extremely significant in symbolic language. The cross is a symbol of the Christian faith as it represents Jesus Christ’s sacrifice and resurrection. In Christianity, the inverted cross is known as the “Cross of St. Peter”, in honor of Simon Peter who requested to be crucified upside down because he felt unworthy to be put to death in the same matter as Christ.



In non-Christian circles, however, the inversion of the cross represents the perversion and desecration of what it symbolizes. For this reason, inverted symbols are found in black magic and satanism.



“In symbolism, an inverted figure always signifies a perverted power (…) Black magic is not a fundamental art; it is the misuse of an art. Therefore it has no symbols of its own. It merely takes the emblematic figures of white magic, and by inverting and reversing them signifies that it is left-handed.”

- Manly P. Hall, Secret Teachings of All Ages



Inverted cross and inverted pentagram as satanic symbols



The inverted cross, placed on Gaga’s crotch, becomes a phallic symbol. Superimposed and combined with her female genitals, the theme of androgyny becomes prevalent. In occult circles, the alchemical transformation of the spiritual matter, the Great Work, must unite both opposing energies.

Becoming a God



The rosary is a set of beads used in Catholic tradition for prayer and meditation. By swallowing the rosary, Gaga incorporates within her a symbol of religious devotion because 1) it is shocking and would get media attention 2) represents Gaga seeking to obtain godhood by her own means. We have here a symbolic representation of the tenets of Luciferianism, which is the drive to attain divinity by one own means. Lucifer is considered to be the active principle towards godhood, the one who brought “divine light” to the humans.



In another scene, Gaga is shown giving the sign of benediction and blessing, a gesture reserved in Catholicism to those who are considered Holy.



A classic image of Christ showing the sign of Benediction and pointing towards the Sacred Heart



Later in the video, Gaga is violently pushed around and abused by the dancers surrounding her. She surrenders and removes her robe for sexual, ritual initiation.



At the ending of the video, Gaga is consumed from within and her “inner light” comes out, representing her transformation from the physical to the spiritual plane.



Gaga’s performance at American Idol truly exploited the Luciferian theme of the song.



The performance takes place in a setting reminiscent to the Garden of Eden, where the “Fallen Angel”–Lucifer, the one who was banished from Heaven and tempted Adam and Eve with divine knowledge–presides over the ceremony. Fire comes out of the angel’s wings (after all, he is the “Light Bringer”) each time Gaga says “Alejandro.” At the end of the performance, Gaga is lifted up under the Fallen Angel as a blood-red liquid oozes out from the fountain underneath him. Another ritual sacrifice has taken place on prime-time television.

Police State Imagery



Gaga’s spiritual transformation is taking place in a dark, oppressive and militaristic backdrop. This trend in music videos has been discussed in The Transhumanist and Police State Agenda in Pop Music. The article describes how the public is currently being bombarded with militaristic and oppressive imagery, intertwined with sexuality, in order to desensitize the public and create a subconscious positive association. Alejandro is clearly a continuation of this agenda set by the rest of the industry. During the entire video, we see in the background a giant screen displaying scenes of social unrest, buildings on fire and military police running around, placing the viewers in a tense and oppressive ambiance.



The video opens with men marching to a militaristic rhythm, some of them having their heads covered, maybe hinting that those men are prisoners of some sort. One of men is inside a pyramidal shape while another holds a hexagram as the prisoners march. Is this a representation of the masses marching to the rhythm of the elite, holding up high the symbols of its own oppression?



Gaga is then shown in a position of power, wearing a black, illuminated crown while looking over the prisoners performing for her.

The “Black Queen” removes one goggle at a time, flashing the Illuminati All-Seeing Eye sign (discussed in many previous articles on this site) and revealing the true nature of her power.
Again, One-Eye hinting to the nature of the oppressive force
In this scene, Gaga wears a “gun bra,” in accordance with the agenda of the sexualization of oppressive imagery. Her back-up dancers are dressed in uniforms reminiscent of dictatorships of the era of Hitler, Stalin, Franco and Mussolini. Political oppression is indeed sexy … oh wait, no, it’s not … it actually goes against everything America supposedly stands for.

Mind Controlled Slaves?



In a symbolic scene, a soldier is shown attached to strings, like marionette. He is not in control of his own movements and holds a gun on his privates (more sexualization of weaponry). He stares blankly, looking confused as a mind-control slave would.
In what looks like an internment camp, Gaga has the gay men bound to a bed as she rapes them, in what looks like a reenactment of ritual abuse.

In the final scene of the video, Gaga is shown attached to strings. Is she herself controlled into perpetuating this agenda?

In Conclusion



As stated above, the video to Alejandro is very complex and symbolic, and lends itself to multiple interpretations, depending on the viewer’s knowledge and point of view. There are, however, parts of the video in which the symbolism is clear and concise, leaving little doubt regarding the message being communicated. During the video, Gaga goes through a very profound metamorphosis, rejecting Christian faith by desecrating its symbols and embracing a new type of spirituality.



Is Gaga’s transformation a representation of the transformation that is currently happening on a worldwide scale? Are members of the elite, who were thought to be part of “regular” religions, revealing their true, Luciferian selves to the public? Will the New World Order leave traditional religions in the dust to embrace a new type of spirituality?



Whatever the case may be, pivotal videos such as this one disseminate into the collective unconscious a specific set of symbols and values that will become, in time, “part of our culture.” In order to achieve this, charismatic figures that are admired by the public are used make those messages cool and trendy. Music fans have been subjected to an intense creative drought in the past years, which caused them to be desperate for a new, eccentric and iconic presence. So Lady Gaga comes into the picture, slightly distances herself from the painfully formulaic music acts and is heralded as the new pop princess. She also brings with her all of the Illuminati agenda and flashes in her fans faces the symbols of their own oppression. I’m sure many fans have a gut feeling that something is wrong with her act, but still can’t stop listening to her. They must tell themselves, “well, there is nothing else to listen to.” And that’s what media monopolies are all about.

 

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